The Last Queen by C. W. Gortner

Stowaway by Karen Hesse

Stowaway by Karen Hesse

2000 Aladdin Paperbacks

STOWAWAY was an interesting read. Initially I picked this book up because I planned to read all the New York Times Bestsellers I could stand. This book is another reason that the NYTB list annoys me to no end. I cannot figure out what it is about this book that would make thousands of people read it. It was an ok book, nothing special and yet thousands of people spent $6.99 on it.

I found that STOWAWAY didn't hold my attention. It is the story of Nicholas Young, a stowaway on the H.M.S Endeavor that sails from England to Tahiti, New Zealand and Australia. The plot sounds like it should be interesting; a young boy accompanying an expedition to discover the unknown world. Yet the writer mishandles which should be an easy sell.

STOWAWAY is surprisingly slow. It spends quite a bit of time on needless information and sometimes glosses over the scenes that could be entertaining. The author assumes that the reader has a lot of historical and geographical knowledge. There were times in the book that I could identify the location of the ship because I had just read about it in the National Geographic. It seems that the author does not know who their audience is. Is it adult history buffs or thirteen year old boys? It is never quite clear. Overall, the book was a 3 out of 5 if I had to rank it. It was not terrible but it wasn't great, or even moderately good.

Other Reviews:

Amazon.com Review:

To 11-year-old Nicholas Young, the tall masts of the exploratory ship Endeavour look like an answer to his fervent prayers. On the run from his demanding father and the cruel butcher who employed him, Nick finds adventure beyond his wildest imaginings when he stows away on the ship of legendary Captain James Cook. Once he is discovered and put to work, Nick becomes party to some amazing sights. He meets indigenous natives of Tahiti, New Zealand, and Australia, wonders at the sight of kangaroos, and shudders with horror when confronted with cannibalism. Nick survives a hurricane, a near shipwreck on the Great Barrier Reef, and a deadly bout with typhoid to become one of the few original crew members to successfully circumnavigate the globe with Cook and arrive safely back in England. He notes in his worn journal shortly before sighting his homeland's shore: "We have truly led the way, charting the path for all who come after. I don't know I shall ever feel so again as I feel now. That any of us shall."
Newbery Medal-winning Karen Hesse's story is based on actual Endeavour stowaway Nicholas Young, about whom little is known. Using the real 1768 diaries of Captain Cook and shipboard naturalist Joseph Banks, Hesse has changed Young from a forgotten footnote into a living, breathing person with red hair and a penchant for pork chops. So authentic you can feel the sea spray, this fine fictionalized diary is a nautical treasure for landlubbers young and old. (Ages 10 and older) --Jennifer Hubert

From Publishers Weekly:

Sparkling with humor, poignancy and adventure, Newbery Medal-winner Hesse's (Out of the Dust) historical novel, told in diary form, was inspired by a real boy who stowed away aboard Captain James Cook's ship Endeavour on its 1768 voyage. The author bases the story on what little is known about 11-year-old Nicholas Young (he could read and write, for instance, and was made an official crew member in April 1769 when the ship reached Tahiti) and spins an imaginative tale firmly anchored in fact. The brief diary entries adhere to the ship's actual itinerary and detail Nick's adventures (and misadventures), among them his ongoing run-ins with a vindictive midshipman (also documented), the excitement and danger of rounding Cape Horn and the captain's disappointment in the view of Venus's transit across the sun (one of the main reasons for the voyage). Nick grows into young manhood irrevocably shaped by the three-year voyage, teaching an illiterate shipmate to read, befriending a Tahitian boy and witnessing cannibalism as well as a share of tragedy while helping to nurse a crew ravaged by accident and disease. His lively observations (on seasickness: "I can say now that Gentlemen heave the contents of their stomach same as eleven-year-old stowaways") keep the action sailing smoothly forward, while Hesse's impeccable research buttresses the narrative with a wealth of detail. A sprinkling of Parker's pen-and-ink illustrations adds an additional layer of texture, while an author's note and extensive glossary round out this compelling volume. Ages 10-14. (Nov.) Copyright 2000 Reed Business Information, Inc.

Atmospheric Disturbances by Rivka Galchen

I curse my book budget every time I find a new trailer. This, also, is on my library wish list.






Amazon.com Review: Imagine what it might be like to realize that the person you love is, in fact, not the person you love but a doppelgänger: or, what Leo Liebenstein coolly terms a "simulacrum" of his wife Rema at the outset of Atmospheric Disturbances. David Byrne's infamous cry that "this is not my beautiful wife" seems the most likely response, but Leo's reaction to this sea change takes unpredictable and dazzlingly plotted turns in the story that follows. Leo's journey to recover the "real" Rema is nothing short of byzantine; among its many mysteries is the delightfully inscrutable Dr. Tzvi Gal-Chen, a master meteorologist who in cleverly constructed flashback sequences takes up residence in the daily rhythms of Leo and Rema's marriage and becomes as much a focus of Leo's obsession as his wife's whereabouts. (Think Vertigo but directed by Charlie Kaufman.) Make no mistake: this is dizzying debut fiction, bursting at the spine with beautifully articulated ideas about love, yes, but also--and with maddening resonance--about the private wars love forces us to wage with ourselves. Be sure to keep a pen or pencil handy: it's impossible to resist underlining prose this good. --Anne Bartholomew--





From Publishers: In this enthralling debut, psychiatrist Dr. Leo Liebenstein sets off to find his wife, Rema, who he believes has been replaced by a simulacrum. Also missing is one of Leo's patients, Harvey, who is convinced he receives coded messages (via Page Six in the New York Post) from the Royal Academy of Meteorology to control the weather. At Rema's urging, Leo pretends during his sessions with Harvey to be a Royal Academy agent (she thinks the fib could help break through to Harvey), and once Re- ma and Leo disappear, Leo turns to actual Royal Academy member Tzvi Gal-Chen's meteorological work to guide him in his search for his wife. Leo's quest takes him through Buenos Aires and Patagonia, and as he becomes increasingly delusional and erratic, Galchen adeptly reveals the actual situation to readers, including Rema's anguish and anger at her husband. Leo's devotion to the real Rema is heartbreaking and maddening; he cannot see that the woman he seeks has been with him all along. Don't be surprised if this gives you a Crying of Lot 49 nostalgia hit. (June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

Museum of Human Beings by Colin Sargent

Museum of Human Beings by Colin Sargent

2008 McBooks Press

Lately I have found myself displeased with the quality of book I am finding in the library or, when funds allow, in the bookstore. There don't seem to be anymore books that touch my heart, that make me feel as if I have found a kindred spirit. There don't seem to be very many books that I would read and reread over and over until I have almost every line memorized.I was wrong. MUSEUM OF HUMAN BEINGS touched me in the same way that Atlas Shrugged or The Handmaid's Tale has. I read this book everywhere. I read it in the doctor's office, at football practice, even in the car while stuck in traffic. I carried this book in my purse for almost two weeks because I liked to read certain passages over and over.

MUSEUM OF HUMAN BEINGS is the fictionalized biography of Jean-Baptiste Charbonneau, the child of Sacagawea and interpreter Toussaint Charbonneau, and raised in the home of William Clark. The book follows Baptiste as he is raised in the home of Clark, thinking he is no different than the white children but quickly learning that his heritage will always separate him from his "father" and from his native people. He goes to Europe as an example of the New World's native people, returns home to confront the family that rejected him, the family he rejected and to try and make a place for himself. The book ends with his death as an old man who seems to have discovered who he really is. The most moving part of this book is that Baptiste always acknowledges that he does not know himself, even when he thinks that he has learned something new he really is discovering things he already knew.

This book is really a discussion about the definition of a person. It asks: Who determines who we are? Is one defined by their heritage? By their skin tone? By their cultural upbringing? Baptiste is a renaissance man. He speaks several languages fluently, a few more passably, plays the piano and violin professionally, has traveled the world and yet he is consistently treated as a 'savage' and not as a real human being. It is only when he begins to discard the self-loathing he learned at the hands of his adopted family and those he was raised around that Baptiste is able to become his own person and learn to be comfortable as he is.

As a person of color I can relate to Baptiste. It is easier sometimes to allow people to define you and to fall into those definitions rather than being whoever it is you want to be. As I have aged I have learned that only I can define myself and limit myself but it is a difficult lesson to learn. More books should be as honest as MUSEUM OF HUMAN BEINGS and explore the prejudices and attitudes that lead to hatred and self-loathing.

Other Reviews:

From Publishers WeeklyPlaywright Sargent's debut novel is a stylish look at the fate of Sacagawea's baby son, Jean Baptiste Charbonneau, the first Native American to tour Europe—as a curiosity and entertainment, of course. Twenty-four-year-old Sacagawea, though married, becomes William Clark's lover while helping guide the Lewis and Clark Expedition; after she dies on the trail, Clark adopts her son, Baptiste. Soon, Clark establishes his home in St. Louis, as well as a garish museum dedicated to his expedition, and sets to educating his new son. Soon, Baptiste is traveling Europe under the protection of Duke Paul, a cruel man who, when he isn't exhibiting the boy to royal courts, repeatedly rapes young Baptiste. Six years later, Baptiste returns to America (astonishingly, still accompanied by Paul), where he confronts Clark over his mother's mysterious death; unsatisfied and restless, Baptiste heads west and finds work as a fur trapper, an Army scout and gold prospector. Increasingly haunted by his mother, Baptiste revisits her in memories and visions that lend themselves nicely to Sargent's lyrical prose. With historical cameos (Beethoven, Kit Carson, Washington Irving) and an impressively rounded portrait of the laid-back, introspective, nomadic Baptiste, this novel will satisfy fans of American history. (Nov.) Copyright © Reed Business Information, a division of Reed Elsevier Inc.

Gone by Michael Grant

Lord of the Flies: Urban Edition?










These are two reviews that I have read. Unfortunately I can't get my hands on this book yet but as soon as I do I will let you know what I think.








From School Library Journal: One minute the teacher was talking about the Civil War. And the next minute he was gone." Just vanished—along with everyone else over the age of 13 in a 20-mile radius around Perdido Beach, CA. The children left behind find themselves battling hunger, fear, and one another in a novel strongly reminiscent of William Golding's Lord of the Flies. Things go from bad to worse when some of the children begin exhibiting strange powers, animals show signs of freakish mutations, and people disappear as soon as they turn 14. Though an excellent premise for a novel, Gone suffers from a couple of problems. First, it is just too long. After opening with a bang, the initial 200 or so pages limp along before the action begins to really pick up. Secondly, based on the themes of violence, death, and implied sexual intimidation, this is clearly written for an older teen audience who may not appreciate the fact that no one in the book is older than 13. In spite of its faults, Gone is a gripping and gritty read with enough creepy gruesomeness to satisfy readers who have a taste for the macabre. Give this one to the readers who aren't quite ready for Stephen King or Dean Koontz.—Jane Henriksen Baird, Anchorage Public Library, AK Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.





From Booklist: It’s a scenario that every kid has dreamed about: adults suddenly disappear, and kids have free reign. In this case, though, it’s everyone 14 and older who disappears, and the harsh reality of such unreal circumstances isn’t a joyride after all. A girl driving with her grandfather plunges into a horrific car wreck; gas burners left on ignite a home with a young child trapped inside; food and medical supplies dwindle; and malicious youths take over as the remaining children attempt to set up some form of workable society. Even stranger than the disappearance of much of humanity, though, are the bizarre, sometimes terrifying powers that some of the kids are developing, not to mention the rapidly mutating animals or the impenetrable wall 20 miles in diameter that encircles them. This intense, marvelously plotted, paced, and characterized story will immediately garner comparisons to Lord of the Flies, or even the long-playing world shifts of Stephen King, with just a dash of X-Men for good measure. A potent mix of action and thoughtfulness—centered around good and evil, courage and cowardice—renders this a tour-de-force that will leave readers dazed, disturbed, and utterly breathless. Grant’s novel is presumably the first in a series, and while many will want to scream when they find out the end is not the end, they’ll be glad there’s more in store. Grades 6-9. --Ian Chipman

Here Be Monsters by Alan Snow

2005 Aladdin Paperbacks


I am so mad that I have not read this book before. HERE BE MONSTERS is one of the best children's books that I have ever read. The illustrations were well done and could have easily told the story without any words. I read this book in less than a day. It is a fast and enjoyable read that is funny without being vulgar.Granted there are a lot of characters and a lot of silly names that feel as if you are in the middle of a "Say this 3 times fast" contest. But once you get a handle on the names, the creature/ characters and the villain then the book goes really fast.

HERE BE MONSTERS is a thick book, 529 pages, but the book is filled with illustrations so the reading really comes down to at least half of the book. FYI: Teachers would find this a great book to read aloud and act out.

The story is fairly simple. A boy goes out in search of food for himself and his ailing grandfather, gets himself in trouble while being nosy, has to rely on strangers for help and eventually solve the mystery that exonerates his falsely accused grandfather. Sounds simple so far. This plot sounds like at least 10 different books I could name right now. Now add in a boxtroll, some cabbageheads, the Ratbridge Nautical Laundry, and sheep-like cheese. Doesn't it sound like fun already? HERE BE MONSTERS reminds me of Roald Dahl and the way that he made language adventuresome and humor droll.

Other peoples opinions:

From School Library Journal: Ratbridge is populated by a variety of odd creatures and equally unusual humans. Underlings, including boxtrolls (shy trolls that wear boxes) and cabbageheads (they worship cabbage and wear them tied to their heads), live in tunnels and caves beneath the city. A boy named Arthur emerges from his subterraneous home and discovers an evil plot. The shady members of the Cheese Guild, led by an unpleasant fellow called Snatcher, are kidnapping underlings and plotting to take over the town. Arthur's allies against the Guild include underlings, a man in iron socks, and the pirates and rats who run the Nautical Laundry. There's a great deal of inspired silliness throughout, which may appeal to fans of Roald Dahl and Lemony Snicket. Although the characters are not particularly well developed through words, numerous high-quality, black-and-white illustrations bring Ratbridge and its citizens to life, accentuating the comical tone and helping to pace the tale. The action is clearly played for laughs rather than suspense, as when the heroes repulse an attack on their ship by firing balls of bilge-pump gunk using catapults made of knickers. Some readers might lose interest in the sometimes-rambling series of events, but the short chapters, intriguing creatures, quirky humor, and engaging art make this book a good choice for youngsters who enjoy lengthy and lighthearted fantasy.–Steven Engelfried, Beaverton City Library, OR Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. -

From Booklist: Wearing a flying contraption that consists of leathery wings and a box with a crank, Arthur quietly flutters across the night sky above the town of Ratbridge. He liberates a bunch of bananas from the greenhouse of "a very large lady with a very long stick" and escapes, only to spot an illegal cheese hunt, give chase, and land in a peck of trouble. Soon the plucky lad allies himself with boxtrolls, cabbageheads, pirates, rats, a retired lawyer, and the sadly imprisoned Man in the Iron Socks in a mighty struggle against a pack of scurrilous villains. Snow, who has written and illustrated droll picture books such as How Santa Really Works (2004), provides small, detailed, crosshatched drawings on nearly every page of the novel. Helpful in creating the settings and bringing the more fantastic characters to life, the illustrations, which are often amusing, also make the book accessible to younger children who like lengthy books. Snow's inventive fantasy, somewhat reminiscent of Roald Dahl's work, combines stout hearts, terrible troubles, and inspired lunacy. Carolyn PhelanCopyright © American Library Association. All rights reserved

Sense and Sensibility and Sea Monsters

My two favorite things:

Jane Austen and people getting dead!